July 31/14 Boundary Bay 104 St Delta B.C. Temp Sunny 26c.
There were a few small flocks of Western Sandpipers, among them a mixture of juvenile and worn adults. There were also a few Killdeer foraging along the foreshore.
Along the dyke were flocks of immature Red-winged Blackbirds. As I scoured the bay for shorebirds a chepd, chepd sound behind me caught my attention. A pair Common Yellowthroat fledglings were feeding on insects.
|Vertical crop (Fig 1) Common Yellowthroat (Geothlypis trichas)|
Some Thoughts on composition:
I recently found a three catalogues of Robert Bateman's work at a SPCA thrift shop. Looking at his work he sometimes but not always has the subject looking out of or entering from the very edge of the frame, he often breaks every rule in the book, over and over again.
I just thought I would mention that because the more I concentrate on bird photography the more I want to explore the compositional elements that Bateman and others execute so brilliantly in their work.
I recently attended a talk by well known naturalist John Neville. John is blind and gave the presentation using braille and supplemented the presentation with the art of Robert Bateman.
Until that night I hadn't really taken a close look at Bateman's work.
The three images of the Common Yellowthroat were all originally taken horizontally or in landscape format. The first (fig1)I have cropped the file vertically eliminating some unwanted foliage and making it suitable for the cover of magazine. I use this image only as an example, not that it would grace any magazine cover I know!
The second shot (fig 2) is horizontal with the subject in the two-thirds zone with lots of space for the subject to move into. This technique is used to draw the viewer into the picture. On average people spend about 3 seconds looking at images, images are everywhere, on our TV's, out smart phones. The idea is to draw the viewer in just a little longer, that is all we can ask.
|Horizontal shot (Fig 2)|
(Fig 3) below is the most interesting for me. I would have never cropped the tail so close the edge of the frame but in Batemans's 'Peregrine Falcon and White throated Swift' painted in 1985 he used the same technique I have applied here, in his notes he explains his rationale.
"In the painting, I wanted to convey plummeting, unstable feeling. I deliberately made one of the peregrine's wings almost touch the edge of the frame so that the line of the frame adds force to the hawk's dive"
Does it work with my Yellowthroat ? I'm not sure but I will be applying some of Bateman's ideas to my photography to see how I might improve my own work. Another artists to check out is Canadian legend Freeman Patterson who compositional skills are second to none.
Last Shot of the Day
Northern Harrier/ Sweet Light
|The 'sweet light' just before sunset lights up this Northern Harrier (Circus cyaneus)|
Thanks for looking!
It's never too late to start birding!
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